About
Kate Andersen
A Tampa Bay-based designer, Kate crafts future-focused designs with a deep commitment to social impact.
Graphic Design
Tampa Bay Watch
An entirely new visual identity for an iconic non-profit.
Visual Identity
Nothing New Collective
A new brand identity for St. Petersburg's most iconic vintage furniture shop.
Industrial Design
The Pollinator Shop
A brand identity and product line designed for the modern gardener.
Brand Identity
Oyster Boys Conservation
Brand artwork for a growing local environmental non-profit.
Brand Strategy
Boyd Industries, Inc.
A new tech-forward chapter for a 70+ year-old medical furniture design company.
Sustainable Design
Bio-Sculpture
Practice in biomaterials research and development.
Motion Design
Animation Projects
Select from my portfolio.
Illustration
Illustration Projects
Select from my portfolio.
Design
Miscellaneous
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Conceptual Art
Love Letters Live
An ongoing series of artwork that invites gratitude into public space.
Web Applications
The Scroll
An online web application that explores discernment in the age of AI.
Writing
Writing Samples
Select from my portfolio.
Kate Andersen is a Tampa Bay-based designer with a dynamic background in branding, motion, digital, web, and exhibition design. Since launching her career in 2022, Kate has focused on crafting thoughtful, impact-driven work spanning nonprofit, environmental, and medical sectors.
With a passion for modern technology, innovation, and the natural sciences, her work balances cutting-edge design with earth-first values. Beyond her professional practice, Kate has begun to explore the potential of bio-materials, transforming food waste and other biodegradable resources into sustainable product prototypes.
Clients
- Florida State University
- Tampa Bay Watch
- Eckerd College
- Boyd Industries
- Oyster Boys Conservation
- Bee & Blume
- Yacht StarShip
- Nothing New Collective
- Animas Vestras
- The Pollinator Shop
- DWF Magazine
Services
- Brand Strategy
- Logo Design
- Visual Identity
- Art Direction
- Motion Design
- Packaging
- Print Design
- Product Design
- Exhibition Design
- Research
Contact

Client
Tampa Bay Watch
Year
2023-2024
Scope
- Brand Strategy
- Graphic Design
- UI/UX Design
- Print Materials
- Exhibit Signage
- Photography
Tampa Bay Watch, a leading marine conservation organization, needed a refreshed and cohesive brand identity to better reflect their mission and impact in the Tampa Bay area.
The task was to modernize their brand while maintaining their established reputation and creating a flexible system that works across educational, scientific, and community contexts.
In my role as Graphic Designer, I worked to create more consistent, modern visuals— including high-quality photography, a new website, and a fresh brand identity designed with the team at SPARK.








Branding
SPARK Team
Elliott Bedinghaus, VP of Creative
Cameron Blank, Brand Director
Adriana Leite, Associate Creative Director
Santiago Jaramillo, Brand Designer
Candice Lockhart, Sr. Project Manager
Web Development
Jenna Rogers, Marketing Director
Kate Andersen, Graphic Designer
Tiana Kirby, Database and IT Projects Manager
Web Design
Kate Andersen
In-House Creative
Kate Andersen
Exhibit Animation
Kate Andersen
Mark Meyers
Jeanne Clark
Leah Biery
Photography
Kate Andersen
Client
Tampa Bay Watch
Project Information
Tampa Bay Watch is a pioneering non-profit marine conservation organization dedicated to the protection and restoration of the Tampa Bay estuary. With over three decades of environmental stewardship, they needed a visual identity that could carry their mission forward while honoring their legacy.
In Spring 2023, I joined Tampa Bay Watch as an in-house designer and content creator during a pivotal moment in the organization's growth. Known for over 30 years of coastal restoration and marine education, Tampa Bay Watch had expanded its programming to include a new education center on the St. Pete Pier, additional marine science programs, and the transformation of its headquarters into a waterfront venue for eco-friendly celebrations. While these initiatives brought exciting opportunities, they also led to brand fragmentation and confusion across audiences.
Recognizing the need for clarity, I proposed a brand restructuring strategy to the CEO in Summer 2023—recommending a branded house approach that would unify the organization under a cohesive visual system. Around the same time, our marketing team discovered SPARK's Stoked campaign, which offers pro-bono branding support to nonprofits. We applied and were fortunate to be selected. Together with Jenna Rogers (Marketing Director) and Dwayne Virgint (CEO), I collaborated closely with SPARK to reimagine Tampa Bay Watch's brand—one that honors its iconic legacy and creates a sense of community among "Tampa Bay locals," human and wildlife residents alike.
Alongside the rebrand, Jenna and I initiated a full redesign of Tampa Bay Watch's website. I led the UX design and visual direction through custom wireframes and layout systems, while Jenna directed development and content. I also redesigned the Tampa Bay Watch Discovery Center website, improving both brand alignment and user experience to better serve the center's high volume of visitors.
As the organization's lead creative, I oversaw all visual outputs to ensure brand consistency across platforms. This included designing educational signage, marketing collateral, merchandise, and digital content. I also directed two educational animations featured at the Discovery Center, located on the St. Pete Pier—a destination that draws millions annually.
The resulting work reflects a unified, flexible brand that communicates clearly with a wide range of audiences—from school children to scientific partners—while staying grounded in the beauty and purpose of the bay we work to protect.

Client
Nothing New Collective
Year
2024
Scope
- Visual Identity
- Logo Design
- Print Materials
Nothing New Collective, St. Petersburg's iconic vintage furniture shop, needed a brand identity that reflected their curated collection of mid-century modern pieces.
The goal was to create a visual system that balanced contemporary design with vintage aesthetics, while establishing a strong digital presence through social media.







Creative Direction
Kate Andersen
Design
Kate Andersen
Photography
Pexels Public Domain
Library of Congress Prints & Photographs
Client
Nothing New Collective
Robert Lower, Founder
Project Information
Nothing New Collective represents a unique intersection of vintage curation and modern retail in St. Petersburg's thriving design scene. As the city's premier vendor for mid-century modern furniture, they needed a brand identity that could bridge the gap between historical appreciation and contemporary aesthetics.
The visual identity system draws inspiration from the clean lines and organic forms characteristic of mid-century design, while incorporating a more contemporary and playful illustration style that appeals to St. Petersburg's design-conscious consumers. The color palette balances warm, nostalgic tones with crisp, modern graphic elements.
Typography plays a crucial role in the identity, with the use of Expressa, an iconic and period-appropriate typeface, combined with modern typographic principles. This approach creates a visual language that feels both timeless and current—much like the pieces in Nothing New's carefully curated collection.
The system extends across all customer touchpoints, from in-store signage to digital platforms, creating a cohesive experience that elevates the brand beyond traditional vintage retail. The result is an identity that honors the past while firmly establishing Nothing New Collective as a contemporary design destination.

Client
The Pollinator Shop
Year
2024
Scope
- Brand Strategy
- Visual Identity
- Product Design
The Pollinator Shop needed a brand identity that would appeal to homeowners and plant lovers. The goal was to educate and inspire them to plant pollinator-friendly, native plants in their yards.
We created a colorful, cohesive visual system that works across product packaging, merchandise, and educational materials while maintaining a contempoary, clean, and eco-conscious aesthetic.









Creative Direction
Kate Andersen
Design
Kate Andersen
Packaging Design
Kate Andersen
Photography
Kate Andersen
Pexels Public Domain
Client
The Pollinator Shop
Project Information
The Pollinator Shop began with a simple yet powerful goal: to inspire individuals to protect pollinators through everyday action. From native bees to butterflies, these species are essential to our ecosystems—but often overlooked. I was brought on to help shape a brand that could bridge the gap between education, sustainability, and design—making pollinator advocacy approachable, actionable, and beautiful.
The challenge was to develop an identity that spoke to both seasoned gardeners and curious newcomers, while conveying the ecological urgency of pollinator conservation. The visual system draws from organic forms and natural geometry, creating a look that's refined yet friendly—scientific without being sterile. The tone is intentionally empowering, rooted in the belief that small-scale urban gardening can have a meaningful ecological impact.
From brand identity to product packaging and digital content, I designed a cohesive system that champions eco-friendly materials and intuitive, user-centered design. Every touchpoint—from seed kits to signage—is crafted to educate users about pollinator-friendly practices and foster a deeper connection with the environment.
A portion of the shop's proceeds supports pollinator conservation through nonprofit partnerships, reinforcing the brand's mission at every level. The result is more than just retail—it's a movement that empowers individuals to become stewards of their local ecosystems, one garden at a time.

Client
Oyster Boys Conservation
Year
2025
Scope
- Visual Identity
- Merchandise Design
- Illustration
Oyster Boys Conservation needed a design that offered variety for their merch. The goal was not only to resonate with their community and makes sales; it was to capture the organization's evolving and growing mission.
The goal was to create artwork that elevates the brand's visual identity and acts as a segue into a new chapter of the organization, without completing a full rebrand.








Creative Direction
Kate Andersen
Design
Kate Andersen
Illustration
Kate Andersen
Client
Oyster Boys Conservation
Dominic Marino, President & CEO
Abby Hendershot, Operations Coordinator
Project Information
Oyster Boys Conservation is forging a new path in marine restoration—equal parts grassroots and grit. For their spring 2025 merch drop, I created a visual identity that complements their existing brand while carrying a few key elements to the forefront— strength, momentum, and an untamed edge— all grounded in purpose.
The centerpiece of the design features an osprey mid-flight, clutching a string of oysters—symbolizing resilience, restoration, and the wild harmony between predator and reef. This graphic, paired with a custom script wordmark and brand serif type drawn from maritime traditions, gives the artwork a bold, lived-in look that feels equally at home on a boat, a back road, or a city sidewalk.
To accompany the main artwork, I designed a modular "OBC" monogram inspired by traditional cattle brands and adapted from the Muara brand font. The result is a mark that feels rugged, modern, and unmistakably theirs.
This collection was designed not just to raise funds, but to raise the bar—connecting style, science, and community through design. It's conservation with bite, and it's just getting started.

Client
Boyd Industries, Inc.
Year
2025
Scope
- Brand Strategy
- Visual Identity
- Digital Design
- UI/UX Design
- Print Materials
- Brand Guidelines
Boyd Industries, a 65+ year-old medical furniture design company, needed a brand refresh to reflect their tech-forward evolution while honoring their legacy.
The goal was to modernize their visual identity and create a cohesive system that works across digital platforms, product interfaces, and traditional marketing materials.





Creative Direction
Kate Andersen
Brand Strategy
Kate Andersen
UI/UX Design
Kate Andersen
Client
Boyd Industries, Inc.
Adrian LaTrace, CEO
Project Information
With over 65 years of expertise in specialty dental and medical furniture, Boyd Industries has long been known for its craftsmanship and reliability. But as the company expanded into new markets—most notably through the acquisition of SMR, a premium ENT equipment line—it became clear the brand needed a visual system that could reflect its evolution.
The rebrand was driven by a desire to elevate Boyd's identity to match the quality of its products, while clarifying its growing brand architecture. The challenge was to modernize the brand without losing the equity built through decades of trust—especially in the dental market where Boyd is a category leader.
Inspired by the company's Clearwater roots and local supply chain—a key differentiator in an increasingly globalized industry—the new color palette incorporates Boyd Blue and Precision Navy, alongside a suite of metallic gradients: Platinum Silver, Satin Gold, and Slate Gray. These tones emphasize the durability and customization of Boyd's steel-based equipment, signaling a premium, future-facing brand built on solid foundations.
I redesigned the Boyd logomark with custom script and visual refinements to enhance legibility and modern appeal, while updating the broader logo system to feel more cohesive across all subsidiaries. New brand and photography guidelines were created to ensure consistency across marketing and sales materials—helping internal teams deliver a unified, elevated experience.
Currently, I'm leading the design of Boyd's new website (launching July 2025), which will bring this new visual identity to life across digital platforms. The UX strategy prioritizes clarity, efficiency, and accessibility—key values for medical professionals—while presenting Boyd Industries as a modern leader in healthcare equipment.

Bio-Sculpture
An exploration of how biodegradable materials might transform our relationship with impermanence.
This research examines how food waste-derived materials can be repurposed into sustainable memorial vessels, challenging our conventional approaches to preservation in the funeral industry.
View Project
This page is temporarily protected as I develop a forthcoming publication. Please email hello@kateander.com for access.
Procreate, 2024.
After Effects, 2024.
Procreate, 2024.

Walkman illustration. Created in Illustrator.

Kids' t-shirt design. Created in Procreate.

Kids' t-shirt illustration. Created in Procreate.

'Love in Passing' illustration. Paper sketch, traced in Procreate.

A font inspired by the windswept mountains of Mallorca. Download.

Organic-Structure, fashion and photography.

Custom "Tutto Passa" type inspired by the work of Robbie McIntosh.

An infographic for my FSU lecture, 'The Art of the Frame.'

An ongoing archive of polaroids and other ephemera: kaseander.com
Project
Love Letters Live
Year
2024
Scope
- Web Design
- Archive Development
- Content Curation
- Visual Design
- Conceptual Art
Love Letters Live is an ongoing series of artwork that invites gratitude into public space.
Through a growing digital archive and handcrafted objects, the project is inspired by the invisible threads that connect us— to each other, to the past, and to the tools we use every day. Visitors are invited to contribute letters to a public internet archive, and physical artifacts— hand-crocheted metal tags inscribed with love notes— are left like offerings in the world.



In-House Design
Kate Andersen
Content
Public Domain Archives
Public Letter Submissions
Project Information
Love Letters Live is an ongoing project that explores how we express care, connection, and gratitude—both in public and in private. It began while I was traveling through Europe and found myself reflecting on how much of what we rely on every day—from water to sidewalks to clothing—exists because of the labor and choices of people we'll never know. How do you express 'Thank you, I love you' to someone you can't name?
The project includes a growing digital archive of love letters submitted anonymously or not by website visitors. The interface is a simple space for reflection and gratitude, allowing visitors to pause, reflect, and release. Abstract icons adorn the page, and are movable— so users can play with and embellish their love notes before submitting.
Alongside the archive, I've created a series of physical offerings: hand-crocheted metal tags inscribed with short messages, left anonymously to be discovered public places like libraries and coffee shops. They're meant to be small interruptions that inspire.
Love Letters Live is still evolving. I plan to keep adding to the archive as people submit their love notes and creating work for the physical series as the project grows. At its core, it's about paying attention to what connects humanity: love, care, and interdependence, to name a few.

Client
The Scroll
Year
2025
Scope
- UX/UI Design
- Web Development
- Visual Design
- Programming
The Scroll is a web app that challenges players to tell real images from AI-generated ones.
Designed with a minimalist, intuitive interface, the game explores how human perception is evolving in the digital age. Encouraging transparency, mindfulness, and a sense of personal responsibility in the consumption and production of media.
The app will launch in Summer 2025. To join early testing, please visit thescroll.app.



Creative Direction
Kate Andersen
UX/UI Design
Kate Andersen
Development
Kate Andersen
Content
Sora
DALL-E
Midjourney
Public.Works
Unsplash
Pexels
Design & Documentation © 2025 Kate Andersen
Project Information
The Scroll emerges at a critical moment in our relationship with artificial intelligence, as the line between human and machine-generated content becomes increasingly blurred. This web application serves as both a game and a tool for developing digital literacy in an AI-dominated landscape.
The interface design prioritizes clarity and focus, removing distractions to allow users to concentrate on the subtle details that often distinguish AI-generated images from human-created ones. The minimal aesthetic isn't just about style—it's a conscious choice to enhance the user's perceptual abilities.
Each interaction has been carefully crafted to build the user's confidence in their own judgment while providing gentle guidance and education. The experience evolves with the user, introducing increasingly subtle distinctions as their discernment improves.
The project represents a new approach to technology education, one that empowers users to navigate an increasingly complex digital landscape.

Writing Samples
Select articles and research exploring design, technology, and culture.